The Anime Encyclopedia: A Guide to Japanese Animation Since 1917, Revised and Expanded Edition

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An Indomitable Effort
The first thought that runs through the mind of a potential otaku faced with the wealth of Anime films that are available is, frankly, “Where do I start.” It doesn’t take a great deal of time to sniff out the Evangelions and Princess Mononokes, but beyond the great successes are many lesser lights that all promise pleasure and entertainment if one only knew which they were. Of course, part of the challenge is that coming to understand anime and manga requires reaching some level of understanding of the Japanese culture that underlies them. However, the simple truth is that, lacking a guide, the effort is always in danger of becoming fruitless.

‘The Anime Encyclopedia’ is the answer to need. While it really isn’t encyclopedic, it provides summaries, data, and even some analysis of over 2,000 anime films. The authors confess that there are probably another 2,000 films that could have been included, and a complete failure to touch on interactive (game) animation. Nevertheless, 2,000 titles covering the period from 1917 to 2001 is a lot. While the writers are rarely excessively judgmental, there is enough information to identify both films of interest and films to be avoided.

Occasionally, the reader finds a lengthy discussion, but most of the descriptions are 100 to 200 words. One will find dates, formats, key translations, creative staff, and length listed. Some indication of the appropriate audience where needed, and indication of whether English productions are available. In short, enough to navigate one’s way to the winded path of an otaku’s apprenticeship. The writers have a dry, witty style that makes this more than a simple catalog, but far less than a treatise. The book does exactly what it promises to do, competently and clearly. Lacking a command of Japanese, this is the best resource available for US viewers.

Useful but greatly lacking
While it may be the best and more thoroughly thought-out book about anime so far, it is not quite as relevant as one first hopes. I bought it to have a reference guide, and for this it has proven useful. It is a great tool for finding various animes by a specific directors, or, on the flip side, finding out who produced which shows. However, this is almost the extent of its usefulness.

If one is searching for a comprehensive guide to themes in anime (say the theme of reaching maturity or of encountering alien life or of the woes of war), one will be completely disappointed. The only way to search for anime is by title or producer. If one seeks factual information about anime, like which Mangas or comic strips the animes are based on, one will be disappointed. Even basic terms, plot tools, cliches, genres, and so on are completely overlooked. Japanese culture and language are apparently never consulted by the authors. All that matters to the writers is what the title of the anime was, usually the basic plot, and who made it (and in some instances influences). And that is greatly disappointing for something called an “Encyclopedia.” Also, if you seek any form of information on a spin-off or a sequel series to any anime, you are at a loss– the only references to such follow-ups (often more important or popular than the antecedent), if at all existent, are to be found only within the entries to the original released series. As if that wasn’t enough, one must also sustain insult while the author shows disdain and disregard for certain animes which may happen to be some of the most popular and loved (Evangelion comes to mind).

Of course, it is a first edition. And it is already very dated, with much important anime being too recent for any real inclusion (for example, the world-shaking Spirited Away is mentioned as an upcoming Hayao Miyazaki film). Therefore, if one seeks a comprehensive guide to what anime has been out there for a while, it is a crucial and necessary book to own, but not if one seeks to understand a particular anime better, or if one has questions about anime in general. “The Anime Reference Guide” is a title better suited for this book. Definitively buy it if such a book is what you seek, but do not expect an encyclopedia.

Not all it’s cracked up to be
When I first got this book, I thought I’d stumbled upon a wealth of information. As an amateur anime reviewer, I had wanted a more comprehensive guide to anime than the books that had been previously released, and I was convinced this should be it.

“Should” be.

For a first-time anime fan, this seems like the way to go. But for the experienced fan who has seen even a tenth of the anime listed here, the luster fades rather quickly.

Unfortunately, the Anime Encyclopedia is plagued with factual errors, occasional Anglocentric comments, and an often acerbic tone hardly befitting the word “encyclopedia”. Review guide, perhaps. But impassive reference material? Hardly.

Often, the authors come up with completely new (and erroneous) title translations such as “Chancer Princess” and “Heart Mark” for anime not released in the West, whereas some shows within the time period stated (Risky Safety) are omitted outright, or hidden under discussion of nominally related titles (Gensoumaden Saiyuuki). Japanese names are misspelled or mistranslated with abandon, whether it be anime titles or creators, like Yoshizumi Wataru, here transliterated incorrectly as Yoshizumi Ayumi, and not even listed as the creator of her major anime work!

The worst part is that, as in Helen McCarthy’s previous works, the authors here attempt to review and cast judgment on titles they obviously have not seen, which is reprehensible for anyone who claims to be a serious reviewer of any genre of art. The informal (and obviously British) tone of the book meshes poorly with the fact that this was released for a primarily American audience, with the authors poking fun at American distributors where there ought not to be any poking of fun at all.

While a lot of the basic information in fact is, in fact, solid, and this is currently the most comprehensive work on anime published in English to date, the Anime Encyclopedia certainly is not perfect, and could use a lot more revision … and a lot less speculation.

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Anime Insider #57 June 2008 (Xxxholic, .Hack, Emma)

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Cinema Anime

To day I find introduce you this Cinema Anime I make this product appeal to young people

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A Book for the Future. Even with a 2006 Copyright Date.
While not light reading, this three part book is comprised of extended essays by a group of writers who given a great deal of academic consideration to animé art and history. This is a good thing since I have found it difficult to convince older academia on the intellectual merit of some animé. Susan Napier does this right from the start with her 20 page contribution on spectatorship and the feminine form, specifically in the work of Kon Satoshi. I was delighted to see his work put in such a perspective, since to my knowledge, a monograph on his works has yet to surface. Brian Ruh was also a noticeable name, since he has written an excellent book on the works of Mamoru Oshii. He weighs in on issues of adolescence and maturity in the cyborg culture, a position he asserts as relevant since, as he states in his first paragraph, “modern humans have become cyborgs.” Although I believe this assertion is driven more by an eagerness for the future than a reality of the present, the article is still engrossing. Anyone who has read Hughes’ “Citizen Cyborg” would enjoy this book, since the over zealous writers often seek to prematurely fit future politics into a society still working out past politics. But in this case, it works, since they take their cue from an art form that is very convincing in its dichotomous worship and angst of the future.

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Naruto Anime Profiles: Hiden Shippu Emaki (Naruto Anime Profiles) Volume: 2, Episodes 38-??

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More Naruto Info
This is the second “Anime Profiles” volume of the popular series “Naruto” covering episodes 38 through 80 with lots of pictures from the series, original artwork, puzzles, a brand-new pullout, and more.

This’ll go great with the also-informative first volume covering the first 37 episodes of the show because of the very colorful artwork and production sketches involved plus a handy episodes guide and lots more covering the numerous details and climactic points within each episode. You’ll also see some cool, yet vaguely funny, bits on some episode screencaps by the characters themselves. Not to mention a few words from the people behind the show, too.

I hope you will find this book interesting and informative if you are a fan, or in some cases “otaku”, of the series. I really hope the next volume of this cool “Anime Profiles” series will have even more episodes rundowns to spare. Also keep watching Toonami every Saturday night for even more brand new episodes on Cartoon Network, plus the Toonami Jetstream online.

Like I said before, “Believe it !”

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Anything I ever really needed to know I learned from anime

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Not what I expected – It was way better!
I ran into this author at PortCon Maine on the 4th of July 2008, and he gave me a business card saying his new book just came out called, “Anything I ever really needed to know I learned from Anime.” Being a relatively conspicuous otaku, I went to his site, read the description and bought the book.

I had a preconceived notion as to what this was going to be like; There’s tons of websites that have lists of common anime cliches like “the wrinkled old man is someone to be feared” and other humorous little anecdotes about anime factoids in general. This is not this book!

I was surprised at the thought that went into the 18 chapters of this book, and how the different lessons were defined. The chapters are like general topics; Love, Relationships, Aging, School, War, Power, etc. Inside the chapters are subsections, these are the individual lessons!

For example. Chapter 12 is titled ‘Power’, the first subsection is ‘All Powerful things must have a seal’ Then there’s a couple humorous (but true) paragraphs about how anything powerful has a seal proportionate to it’s strength, and then he gives some examples. I especially love the 4th Dimentional Rubik’s Cube seal reference!

It was surprisingly well written, but not difficult to understand – I can see how this is a young adult title, but it isn’t all happiness and flowers…

This is a book for the anime people, who are usually misunderstood, and he’s obviously a person who can see things from their pont of view. I can’t say I agreed with everything in the book, but it wasn’t really the point – it was easy to see how these lessons came from anime.

After I finished reading this book, I put it down and my GRANDMOTHER read it! It’s a quick read and she reads ALOT (I guess she saw the book and thought it would be a quick read.) She said she really liked the chapter on Love (She reads alot of romance novels :P ) and she had called my Aunt and recommended it for my four younger cousins to read.

I’m not going to say that my grandmother is going to sit down and start watching Bleach or anything, but this book was more about life and how anime portrays stories life, and what lessons there are in anime… and if she does want to start, the last chapter is basically a chapter on how to get started watching anime!

There were some funny sections (Why women with unnaturally colored hair are appealing), some serious ones (War and Good vs. Evil) and some that hit a little too close to home.

I would recommend this to any high schooler who likes anime, and may be having a tough time adjusting to life in general. This is turning into a book itself so…

Thanks Sid! You are probably one of the few people I’ve found who’s watched more anime than me… I’ll never look at it the same again!

enlightening
Loved this book!…easy to read & informative..my favorite was the chapter on dreams. This was written with a light-hearted review of life. very enjoyable ..looking for more by Sid

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From Impressionism to Anime: Japan as Fantasy and Fan Cult in the Mind of the West

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Soft Power of Japonism Conquers the World
Review of Susan J. Napier’s “From Impressionism to Anime: Japan as Fantasy and Fan Cult in the Mind of the West”.

Professor Napier has disproved Kipling’s aphroism -”The east is east, and the west is west, and never the twain shall meet”. In her latest book, Professor Napier establishes the long and impressive history where the east meets the west – specifically, how the images and fantasy of Japonism were reflected in the Western intellectuals’ minds.

When the bamboo curtain was forcefully drawn open by Commodore Perry in 1853, Japan didn’t lose its mystery; in fact, the glimpses of Japan magnified its exotic allure to the Western intellectuals. This book is not only a tour de force, it is a tour d’horizon – introducing us to those whose works were influenced profoundly by their ideas (fantasies) of Japan – from the Impressionists (e.g., Monet and Van Gogh), to playwrights (e.g., Gilbert and Sullivan), to architects (e.g., Frank Lloyd Wright), to contemporary writers and film-makers (Quentin Tarantino). This cultural influence is what Prof. Napier refers to as “soft power” of Japonism. Contemporary popular Japanese culture vernacularized by anime has brought Japonism to millions to youths in the West.

I give this book four stars rather than five, because I feel forced to take away a star due to the unfortunate editing. First of all, the cover is ghastly. The photo itself is ridiculous, and its washed-out color makes it look like it went through the washing machine. Second, the quality of the photo illustrations are so pathetic – mostly black and white when the color may be the most important aspect of the Japonism to be illustrated, and even the colored illustrations are too small to appreciate. Lastly, the editor must have been asleep – the index paginations are all two or more pages off as he/she forgot to count the illustrated pages. One suspects that the publisher was trying to publish the book on the cheap, when the book is so rich, not only in textual content, but also begs for visual illustrations as they are the visions of the fantasies fancied by the Western mind.

Ko-Yung Tung, Yale University

East meets West and Wonderful Things Happen
From Impressionism to Anime: Japan as Fantasy and Fan Cult in the Mind of the West This book provides an illuminating history and analysis of the interactions of Japan and the West in the realm of the arts, literature, and film, yielding insights and assessments that are original and on the mark. It also explores the ways in which these aesthetic creations affect individual artists, viewers, readers, and fans, resulting in a virtual reality which is not just an escape but also an imaginary realm in which problems and possible solutions can be experimented and played with until they are ready for prime time in the real world. Reading it was a pleasurable and stimulating experience.

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